‘I definitely needed a lie-down after that!’ Your most nerve-wracking episodes of TV of all time
Spooks – I Spy Apocalypse (2003)
The episode begins with the Spooks team confined while undergoing a drill about a potential terror incident, supervised by two Home Office agents. As things progress, it becomes clear a real incident has taken place and a chemical weapon has been unleashed. The anxiety increases as reports reveal a crisis unfolding beyond their walls, and intensifies when the leader seems contaminated, with the two officials trying to exit, forcing Matthew Macfadyen’s character to decide between shooting them or letting them go and endangering the sterile MI5 environment. Given it’s Spooks, his decision is predictable.
The 1984 production Threads
The production was inexpensive but one of the most frightening programmes I’ve ever seen owing to its grim authenticity and grim official statistics. Watched it about a month ago having watched the original; I used to visit the pub in Sheffield featured in the show which emphasised the reality and the glib matter-of-fact official information that were transmitted. Still absolutely terrifying 35 years later.
Severance – The We We Are (2022)
The first season finale of Severance ranks highly in terms of gripping installments. I was throughout the episode actually sitting tensely, pushing alongside Dylan to hold the switches that kept the Innies on overtime, while screaming at the Innies to disclose their facts. The concluding高潮 – “she’s alive!” – was like an eruption.
The 2024 Industry episode White Mischief
Installment five in Industry’s third series had my heart racing. I needed to stop and stand and leave the room several times due to the immense extent of the deliberate ruin I was witnessing. Rishi Ramdani faces serious trouble at work and home – buried in financial obligations from unscrupulous lenders due to his addictive betting, assuming hazardous chances with a gamble on the pound which could lose his company millions. So of course, he goes on a gambling spree, does tons of drugs and drink and wins, loses, wins, is severely assaulted. Every time you think things cannot decline more, it deteriorates. There is a chance for salvation at the end of the episode but he misses the opening, leading to terrible outcomes during the season’s final episode. Absolutely had to relax following that!
The 2007 Peep Show episode Holiday
Peep Show is not inherently a tense series. But the episode Holiday contains such levels of cringe that it’ll have you standing up the whole episode, permeated with worry. The tension escalates once Jeremy and Mark find themselves having to lie about the dog they unintentionally hit and subsequent attempts to dispose of it. You then spend the rest of the episode questioning whether it truly can be worse than incineration, and it is possible!
The 2001 The West Wing episode The Two Cathedrals
Nothing I’ve watched has been more intense than the first time I watched the concluding episode of The West Wing’s second season. The show opens with the fallout of the death (in a traffic accident) of the president’s private assistant and builds to a peak with a crisis in Haiti, and the fallout from the non-disclosure regarding the president’s multiple sclerosis diagnosis, coupled with verification of his aim to pursue re-election. Excellent TV. Never bettered.
Bodyguard – episode one from 2018
The opening of the British series Bodyguard, with the protagonist on a train alongside his juvenile boy, is personally a top tense installment. He observes a woman in Islamic attire heading to the toilet and senses something is wrong. The bomb diffuser experts are called, get on the train, and endeavor to coax the woman to discard her bomb jacket. Tension escalates to an almost unbearable degree, until, finally, the vest is neutralized.
The 2001 Buffy episode The Body
Buffy enters her house to find her mum has passed away of natural causes, which is the most unusual type of death in this paranormal series. The show features no musical score, a sullen tone, and we witness the episode via the perspective of Buffy’s shock of discovering her mother.
The Sopranos – Made in America (2007)
The final scene of the final episode of the show was pants-wettingly tense. And if you viewed it when it first premiered, you – at first – weren’t sure why. Tony’s adversaries, actual and perceived, were all overcome. Surely this has the feel of the season one ending? “Recall the minor details.” Yet the atmosphere is strangely foreboding. Nearly Twin Peaks-like fear. The clan sits in an eatery. Meadow parks. Tony sorrowfully notifies Carmela problems are brewing with yet another of his crew working with the government. Meadow parks. Unfamiliar individuals come into the diner. Look at Tony(?) Meadow parks. Tony selects a song on the jukebox. Meadow parks. The bell sounds, an individual enters. Can’t be Meadow, she’s still parking. Tony glances upward. Continue. It stops. My heart dropped from my mouth about 20 minutes later.
The Walking Dead – The Last Day on Earth (2016)
I kept late hours to see this show during the night. It was incredibly tense following the introduction of villain Negan finding the group, mercilessly mocking his targets and then keeping the death a mystery (concluded with a suspenseful moment). The first-person perspective of the victim and the subdued noises – ugh! {We then had to wait for season seven|We then needed to await season